Nicholas Ray
Series
Description
"The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the Younger brothers, and his attempt to lead a peaceful life after the disastrous attempt to rob the bank at Northfield, Minn."--IMDb.
Description
Jim Stark, a new kid in town whose loneliness, frustration and anger mirrored those of postwar teens, is still reverberating 50 years later. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's concern for him, Jim must still prove himself to his peers.
Series
Description
"When poachers hunt down birds so they can sell the feathers for women's hats, newly hired Everglades warden Walt Murdock is ordered to bring in Cottonmouth, the brutal leader of the gang. Captured deep within the swamps, Murdock takes a gamble and accepts the outlaw's offer to surrender if the warden makes it back to town before Cottonmouth can kill him"--Container isert.
Description
We can't go home again: A complete restoration of legendary director Nicholas Ray's 1973 experimental masterpiece, made with his college students in upstate New York. It embodies Ray's approach to filmmaking as a communal way of life. The film records Ray's groundbreaking use of multiple image as a way of telling more than one story simultaneously, and of colorization as a way to heighten emotional expression. He called it a 'journalistic' film, one...
Series
Criterion collection volume 880
Description
"Legendary director Nicholas Ray began his career with this lyrical, dark love story, the first in a series of existential genre films overflowing with sympathy for America's outcasts and underdogs. When the wide-eyed fugitive Bowie (Farley Granger), having broken out of prison with some bank robbers, meets the innocent Keechie (Cathy O'Donnell), each recognizes something in the other that no one else ever has. The young lovers envision a new, decent...
Series
Description
'Never was a bronc that couldn't be rode. Never was a cowboy that couldn't be throwed.' Spinning tales of big money made as a bronco buster, an ex-rodeo star wanders into the life of ranch hand Wes Merritt. Wes is won over, despite the protests of his wife, who, against her judgment, feels drawn to the stranger, too.
10) Bigger than life
Series
Criterion collection volume 507
Description
When a friendly, successful suburban teacher and father is prescribed cortisone for a painful, possibly fatal affliction, he grows dangerously addicted to the experimental drug, resulting in his transformation into a psychotic and ultimately violent household despot. "This Eisenhower-era throat-grabber, shot in expressive CinemaScope, is an excoriating take on the nuclear family. That it came in the day of Father Knows Best makes it all the more shocking...
Series
Criterion collection volume 810
Description
A down on his luck screenwriter reluctantly agrees to adapt a trashy bestseller to the silver screen. Rather than read the book himself, Steele convinces a star-struck hatcheck girl, Mildred Atkinson, to accompany him home and tell him the story in her own words. Later that night, Mildred is found murdered and Steele, who has a history of violent behavior, becomes the prime suspect. A neighbor who is attracted to him lies to the police providing him...
12) Johnny Guitar
Description
Saloon owner Vienna battles the local townspeople headed by Emma, the local sexually repressed, lynch-happy female rancher out to frame her for a string of robberies. Johnny Logan is a guitar-strumming drifter with a dark past who was once in love with Vienna and has been offered a job in her saloon. Nicholas Ray's epic western is considered one of the most original westerns of all time. The women are far tougher than the men and some saw a bizarre...